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    <loc>https://www.womenwhoscore.org/concertstest</loc>
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    <loc>https://www.womenwhoscore.org/concertstest/2018/3/11/inaugural-concert</loc>
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    <lastmod>2019-02-07</lastmod>
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    <loc>https://www.womenwhoscore.org/events-calendar-aria</loc>
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    <loc>https://www.womenwhoscore.org/events-calendar-aria/2017/3/30/event-3-ywrfh</loc>
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    <lastmod>2017-03-02</lastmod>
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    <loc>https://www.womenwhoscore.org/events-calendar-aria/sample-event-5n3dp</loc>
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    <lastmod>2017-04-25</lastmod>
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    <loc>https://www.womenwhoscore.org/events-calendar-aria/sample-event-v3-62dcm</loc>
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    <lastmod>2017-04-25</lastmod>
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    <loc>https://www.womenwhoscore.org/soon</loc>
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    <lastmod>2018-01-09</lastmod>
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  <url>
    <loc>https://www.womenwhoscore.org/wws-cover-page</loc>
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    <lastmod>2021-06-01</lastmod>
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  <url>
    <loc>https://www.womenwhoscore.org/music</loc>
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    <lastmod>2017-04-26</lastmod>
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      <image:title>Music - songs EP  </image:title>
      <image:caption>Out now on iTunes, Spotify, Amazon, Google Play, and more!</image:caption>
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      <image:title>Music</image:title>
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  <url>
    <loc>https://www.womenwhoscore.org/tickets</loc>
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    <lastmod>2018-01-09</lastmod>
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      <image:title>Tickets</image:title>
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      <image:title>Tickets</image:title>
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      <image:title>Tickets</image:title>
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      <image:title>Tickets</image:title>
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  <url>
    <loc>https://www.womenwhoscore.org/larsen</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2018-01-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58b21dcd579fb3b20168070c/1517262322178-UD0DU9Z1D3I0XKYH2180/Larsen_pink.png</image:loc>
      <image:title>Larsen - Libby Larsen</image:title>
      <image:caption>ONE OF AMERICA’S MOST PERFORMED LIVING FEMALE COMPOSERS Libby Larsen is one of America’s most prolific and most performed living composers. She has created a catalogue of over 500 works spanning virtually every genre from intimate vocal and chamber music to massive orchestral works and over 15 operas. Her music has been praised for its dynamic, deeply inspired, and vigorous contemporary American spirit. Constantly sought after for commissions and premieres by major artists, ensembles, and orchestras around the world, Libby Larsen has established a permanent place for her works in the concert repertory. In 2010, Larsen received a George Peabody Medal for Outstanding Contributions to Music in America.</image:caption>
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      <image:title>Larsen</image:title>
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  <url>
    <loc>https://www.womenwhoscore.org/padula</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-01-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58b21dcd579fb3b20168070c/1517269549830-NHKH7EVSH57NLKYAE2FV/DawnPadula018_WEBsmall.jpg</image:loc>
      <image:title>Padula - Dawn Padula</image:title>
      <image:caption>MEZZO-SOPRANO Dawn Padula is a versatile performer of opera, oratorio, musical theatre, jazz and classical concert repertoire. Opera roles include Carmen in Carmen, Azucena in Il Trovatore, Ruth in The Pirates of Penzance, Cherubino in Le Nozze di Figaro, Suzuki in Madama Butterfly, Meg in Falstaff, The Third Lady in The Magic Flute, the Witch in Hansel and Gretel, Maddalena in Rigoletto, Isabella in The Italian Girl in Algiers, Erika in Vanessa, and the Sorceress in Dido and Aeneas. In the Pacific Northwest, she has performed with Tacoma Opera, Kitsap Opera, Concert Opera of Seattle, Jazz Under the Stars, Puget Sound Concert Opera, the Tacoma Concert Band, the Oregon Symphony, the Portland Symphonic Choir, the Seattle Bach Choir, the Second City Chamber Series, Classical Tuesdays in Old Town Tacoma Concert Series, Lakewood Playhouse, and Opera Pacifica. She is on Seattle Opera’s roster as a Teaching Artist and a member of the Supplementary Chorus. In June 2017, she toured to Varna and Sofia, Bulgaria as the mezzo-soprano soloist in Mozart’s Requiem with the Pazardzhik Symphony. In August 2017, she released her first classical solo album, Gracious Moonlight, which is available on iTunes, CD Baby, Amazon Music and Spotify. Dr. Padula is the Director of Vocal Studies at the University of Puget Sound School of Music where she directs the Opera Theater, and teaches Applied Voice, Diction for Singers, Vocal Pedagogy, and Vocal Techniques. She holds three advanced degrees in vocal performance: a D.M.A. from the University of Houston Moores School of Music in Houston, TX, a M.M. the Manhattan School of Music in New York, NY, and a B.M.  from Trinity University in San Antonio, TX.</image:caption>
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      <image:title>Padula</image:title>
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  <url>
    <loc>https://www.womenwhoscore.org/farrenc</loc>
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    <priority>0.75</priority>
    <lastmod>2018-01-29</lastmod>
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      <image:title>Farrenc - Louise Farrenc</image:title>
      <image:caption>THE FIRST WOMAN TO EVER BE AWARDED A PROFESSORSHIP In the 1830s Farrenc gained considerable fame as a performer and her reputation was such that in 1842 she was appointed to the permanent position of Professor of Piano at the Paris Conservatory, a position she held for thirty years and one which was among the most prestigious in Europe. Accounts of the time record that she was an excellent instructor with many of her students graduating with Premier Prix and becoming professional musicians. Despite this, Farrenc was paid less than her male counterparts for nearly a decade. Only after the triumphant premiere of her nonet, at which the famous violinist Joseph Joachim took part, did she demand and receive equal pay.</image:caption>
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      <image:title>Farrenc</image:title>
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  <url>
    <loc>https://www.womenwhoscore.org/schumann</loc>
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    <lastmod>2018-01-29</lastmod>
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      <image:title>Schumann - Clara Schumann</image:title>
      <image:caption>ONE OF THE MOST DISTINGUISHED PIANISTS AND COMPOSERS OF THE ROMANTIC ERA In an era when women, apart from singers, almost never performed in public or composed, Clara Schumann did both. She distinguished herself as the foremost interpreter of her husband Robert’s work, but she was also a primary force in reintroducing eighteenth-century keyboard music to the public. Unfortunately, her own compositions remained unknown until the second half of the twentieth century. Many are still unpublished and owned by private collectors, so we still cannot appreciate the full extent of her compositional achievements.</image:caption>
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      <image:title>Schumann</image:title>
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  <url>
    <loc>https://www.womenwhoscore.org/parker</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-01-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58b21dcd579fb3b20168070c/1517270851327-EHT0ZADBV9NV0LWIQV18/D_Parker.jpg</image:loc>
      <image:title>Parker - Dennis Parker</image:title>
      <image:caption>CELLO Dennis Parker was born in New York City and began his cello studies at the age of six. He received his early training with Channing Robbins of the Juilliard School, and later earned degrees from Indiana University and Yale University, where he worked with Janos Starker and Aldo Parisot, respectively.  Inspired by a variety of musical activity, Parker performs frequently as a soloist, recitalist, collaborator, and guest professor at universities and festivals throughout the U.S. He is actively involved in the expansion of the existing cello repertoire and has transcribed many works for his instrument. A Haymon Professor of Music, Parker has taught Cello and String Chamber Music at the Louisiana State University School of Music since 1988.  Prior to his tenure at LSU, Parker served as Principal Cellist of the Porto Alegre Symphony Orchestra in Porto Alegre, Brazil, and was a member of the Detroit Symphony Orchestra.  A committed pedagogue, Parker released a DVD and instructional manual, the “Popper Manifesto” in 2002.  This project remains the first and only complete recorded performance of David Popper’s “High School of Cello Playing.”  Parker’s CDs with the Centaur label include Cello Matters, which features music for cello and piano by Liduino Pitombeira, Daniel Schnyder, David Baker, and Astor Piazzolla, and Uplifting Discoveries from a Generation Lost, a recording of chamber music by composers who perished in the Holocaust (Erwin Schulhoff, Gideon Klein, Viktor Ullmann and Hans Krasa).Homage to Fiddlers, a recording of Russian composer/pianist Ivan Sokolov’s Sonata for Cello and Piano, Piano Trio, and Duos for Cello and Violin by Viktor Kalabis and Jan Vicar, with violinist Karen Bentley Pollick, was released in 2010 by Ariel Ventures. A few years ago, Parker was a recipient of an ATLAS grant (Awards To Louisiana Artists and Scholars) from the Louisiana Board of Regents. Through its generous support, he completed three independent recording projects. Parker’s transcriptions of Mozart's “Violin Concerto No. 5 in A Major” K219, and “Sinfonia Concertante in Eb for Violin and Viola” K364 is the first recording of these works adapted as Cello Concerti. Concurrent with the CD’s release is the publication of editions of Parker’s transcriptions. The second CD featured the entire cello output of distinguished Brazilian composer, Walter BurleMarx.  Parker gave the world premiere of his Cello Concerto in 2006 in Brasilia with the Brazilian National Orchestra, its U.S. premiere in 2009 with the L.S.U. Symphony, and in January 2013 the work was premiered in Turkey with the Istanbul State Orchestra.  The third CD, Stolen Sonatas showcases three more of Mr. Parker’s transcriptions with pianist, Jennifer Hayghe: Debussy’s Sonata for Violin, Poulenc’s Sonata for Flute, and Enesco’s Sonata No.3 for Violin and Piano. Parker maintains an active touring and performing schedule. The past few seasons have taken him from New York’s Weill Hall, to Brazil, China, Colombia, Panama, Mexico, Czech Republic, Spain, Hungary, and many universities across the U.S.. This past summer, he was soloist in Nanjing, China (Haydn Concerto in C), in Porto Alegre Brazil (Mozart’s Sinfonia Concertante and Beethoven’s Triple Concerto, in Sao Paulo, Brazil with the Burle Marx Cello Concerto and with the Oregon Coast Music Festival, performing Ernest Bloch’s Schelomo.</image:caption>
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      <image:title>Parker</image:title>
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  <url>
    <loc>https://www.womenwhoscore.org/schermer</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-01-30</lastmod>
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      <image:title>Schermer - Steve Schermer</image:title>
      <image:caption>DOUBLE BASS Stephen Schermer, Double Bass, performs with the quartet TORCH, the Pacific Northwest Ballet Orchestra, the North Corner Chamber Orchestra and is an Affiliate Artist at University Of Puget Sound. Previously he has held positions with the Oregon Symphony and the Spokane Symphony. He has been a part of many chamber music series and festivals including First Mondays at Jordan Hall, The Jacobsen Series, Walla Walla Chamber Music Festival, Women Who Score, and the Olympic Music Festival. He is active in the recording industry and is sought after as a clinician, coach, and adjudicator throughout the Pacific Northwest. Mr. Schermer received his BA with honors from Eastern Washington University, his MM with honors from the New England Conservatory, and continued his studies for 2 summers at the Tanglewood Music Center.</image:caption>
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      <image:title>Schermer</image:title>
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    <loc>https://www.womenwhoscore.org/home</loc>
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    <lastmod>2020-11-17</lastmod>
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      <image:title>home</image:title>
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      <image:title>home</image:title>
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  <url>
    <loc>https://www.womenwhoscore.org/new-page</loc>
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    <lastmod>2020-11-17</lastmod>
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    <lastmod>2020-11-17</lastmod>
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      <image:title>New Page</image:title>
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    <lastmod>2022-02-17</lastmod>
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